Terre de Blues 2015 (link for more info if you are interested)
 |
| This is going to be good |
Last year we had learned the island of Marie-Galante has a
music festival, Terra de Blues, that rivals the other big festivals on St Lucia
and Bequia. That’s all the information
we needed when planning our itinerary for 2015.
We had other good things about Marie-Galante, such as how fun it is to
rent scooters and explore the island. Located
just south and east of Guadeloupe, Marie-Galante is not easy to visit on a
sailboat. It lies east of the more
visited islands, requiring a heading into the prevailing easterly winds. We knew this, so part of the plan was to make
it easier by working our way north, also to windward, by visiting Pointe a Pitre
in Guadeloupe for a few days. That way
our sail to Marie Galante would be a bit easier. It was, sort of.
 |
| Jimmy Cliff - Jamaica |
We arrived several days before the festival was to begin and
anchored in the inner harbor next to the ferry boat dock. It was tight anchorage but surprisingly not
many boats had arrived yet. We chose a
spot that was less than 100 yards from the secondary stage, offering good views
and plenty of sound for sure. This stage
was for the opening acts on Friday and the closing acts on Monday, both days
having free admission. Along with this
stage there were artists selling local crafts, plus plenty of food vendors with
all kinds of local favorites, including crepes.
 |
| Vasti Jackson - USA |
Shows for Saturday and Sunday were held on a large main
stage located on the grounds of an old sugar plantation called Murat Habitat. It was just over a mile walk, some of which
was along the beach. The day before the
show, the ferries were unloading more and more people, and several more boats
arrived to tuck into the anchorage. We
soon learned that most of the ferry arrivals were camping on the beach. Tents and campfires were everywhere along the
long stretch of beach leading to the main stage.
 |
| Seun Kuti and Egypt 80 - Nigeria |
The show started on a Friday afternoon, with performances by
local school music groups – singing choirs and jazz bands. The show was free and open to the public. Later in the day, sound checks began for the
main act of the evening. Yes, it was
going to be loud. Friday’s main act was
Anzala, a singer, songwriter, and multi-instrumentalist from Guadeloupe. His specialty was Gwoka music, a percussion
heavy style of traditional folk music that he appears to be the master of. He was quite good.
 |
| Sister Sledge - USA |
Saturday’s show began in the evening, so we had plenty of
time to wander around in town and buy tickets.
The ticket price for each day was $40 Euro or about $45 US. Not a bad price in comparison with concerts
and festivals in the states. Oh, and NO
junk service fees. Seating was open on
the grass that sloped gently down to the huge stage. I don’t think there was a bad spot
anywhere. Getting a late start, we
missed the first act, Alain Jean-Marie, a pianist from Guadeloupe. As we found a prime spot on the lawn, the
second act began, Mayra Andrade, from Cape Verde. A soulful singer who blended jazz with Latin
and reggae style rhythms. She sang
mostly in Portuguese, but it really didn’t matter if you know what I mean. Jimmy Cliff was the headliner of the evening. At nearly 70 years old, his powerful voice
and energy level remain impressive. Known to most as a reggae artist, he really
has developed his own version of Caribbean popular music. His version of Cat Stevens’ Wild World is a
stunner. He was one of the reasons we
made the effort to sail to Marie-Galante.
Two things I didn’t know about Jimmy Cliff: He was inducted into the Rock and Roll Hall
of Fame in 2010, and he’s not a Rasta.
 |
| Guy Vadeleux and O'Tantik - Martinique |
Sunday we made it to the show quite a bit earlier. We found a spot near the front center and
planted ourselves. First up was Vasti
Jackson, a blues artist from the states that I’d not heard before. I’m not the biggest blues aficionado, but I
do have some favorites. Jackson is
clearly a veteran and is a disciple of BB King.
He even dedicated his performance to the late blues legend. His energy, showmanship and stellar backup
band didn’t have the effect on the crowd as I thought it would – at first. After pronouncing a few phrases in French,
and playing a few numbers with jazz and reggae beats, the crowd started to go
wild. I’ve learned that American style
blues isn’t embraced in the islands, but he certainly broke through that
barrier with his lively and sincere performance. Jackson will now be on my blues radar for a
long time.
 |
| Marlow Rosado - Puerto Rico |
Next up was the Nigerian group Egypt 80, fronted by Seun
Kuti, the son of a legendary African musician and political activist. This group consisted of keyboards, horns,
drums of all kinds, plus two singers/dancers that were hard to ignore. One player that stood out was a man who
played a very large Shekere, or a gourd covered in beaded netting. This guy was tall and mostly expressionless,
but he moved about the stage in perfect rhythm with the music and added a
unique sound with his instrument of choice.
The music of Egypt 80 was fast and loaded with texture. The vocals were political at times, but based
on his background, Seun Kuti had every right to express himself. If your reference for Afrobeat music is Paul
Simon’s Graceland, you haven’t heard anything yet – this group was
amazing.
 |
| Misie Sadik and friends - Guadeloupe |
Sister Sledge was the headliner for the night, a group we
all know from the ‘70’s right? Well, the
mostly French speaking audience in Marie-Galante knew the group as well. While my musical tastes were being formed in
the mid to late seventies, disco never registered with me. However, one song that still rattles around
in my head is We Are Family. Perhaps that
song is seared into your brain as well. The two remaining sisters took the stage with
another singer that certainly looked like a sister. One thing that strikes me about aging music
performers is that they seem to be as good or better than when they were in
their prime. Sister Sledge is no
exception. They were in tune, had smiles
on their faces, and could still move and dance like they did 35 years ago. Oh, and these aging girl groups seem to
attract the best musical backup talent out there. Of course my favorite standout was the
drummer, Ira King. He takes the stage
wearing a giant Egyptian pharaoh hat. It
looked kind of goofy and I thought he might ditch it after a song or two. Nope, he wore it through the last encore, it stay on throughout his several solo sessions.
A powerful drummer with amazing speed, Ira seemed to be a favorite of
the sisters and the crowd as well.
 |
| Harmonic and handmade shaker |
 |
| Lunch time drumming session |
The music fest concluded with four acts on the stage behind
the anchorage. In the lineup were two groups from Guadeloupe, one group from Martinique,
and my favorite of the night, Marlow Rosado, from Puerto Rico. Marlow is a pianist, composer, and producer with
11 Grammy nominations under his belt, and Grammy win in 2012 for the Best
Tropical Latin Album called Retro. His
high energy band consisted of horns, a singer, plus of course congas, timbales,
and an entertaining bongocero from Cuba.
He didn’t speak much French, so he called up a local girl to the stage
for translation between numbers. It was
easy to see why he was continually distracted by her dancing off to the side of
the stage.
We’re glad we made the effort to sail to Marie-Galante and will likely do it again next year. It also gave us a chance to connect with other cruiser friends aboard sailing vessels Pamela, Libertine, and Saltwhistle – all music lovers who came to the island for the same reason.
